You vote, we exhibit!

In 2026, the Austrian National Library will once again present five "special exhibits" from its extensive holdings in the State Hall.

You can help decide which objects will be exhibited via online voting. In each of the five votings, there are three objects to choose from. 

The "special exhibit" on display will be accompanied by a free expert talk, a blog post and a video (only available in German).

July 13 – October 11, 2026

Mozart's "first" violin concerto? A forgery!

The winner of our most recent online voting "Deceptively genuine?" for the special exhibit is object 3: "Mozart's "first" violin concerto? A forgery!" (Music print, 1933). The winning object will be on display in the State Hall of the Austrian National Library from July 13 to October 11, 2026 and will be presented at an expert lecture (in German) on July 14, 2026.

 

You can listen to the ‘fake’ Mozart violin concerto at these links. Would you be able to tell the difference?

Youtube: Violin Concerto in D Major "Adélaïde," K. 294a: 1. Allegro (attrib. Mozart)

Spotify: https://open.spotify.com/intl-de/track/3dwXAj5Z9njcaBjGdGhk6k?si=7ed6f9e6f6724fff

Buchtitel mit "W. A. Mozart, Violinkonzert"
It might say Mozart on the outside, but it isn't necessarily Mozart inside! The history of music is full of forgeries, "stolen" melodies and even completely fictitious composers. The Violin Concerto in D major (KV Anh. C 14.05), for example, was written by a musical "free rider". In 1931, Marius Casadesus arranged some Mozart fragments into a violin concerto which he passed off as a newly discovered composition by the ten-year-old Wolfgang Amadé Mozart. That it was written at the Court of Versailles and dedicated to Princess Adelaide by her "very devoted and very small servant" is also pure invention. The hoax only came to light in 1977 during a copyright dispute – because Casadesus was not in fact willing to miss out on the royalties ...
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