Poster Präsentationen

Ethical considerations concerning the conservation and restoration of a herbarium from the 19th century
Magdalena Grenda (Warsaw Rising Museum, Poland)

Conservation of a Book of Hours in the Royal Palace of Mafra: Between technique and ethics
Rita Araújo, Conceição Casanova, Maria João Melo, Ana Lemos, Vânia S. F. Muralha and Marcello Picollo (REQUIMTE, CQFB, Chemistry Department, Faculty of Sciences and Technology, New University of Lisbon, Department of Conservation and Restoration, Instituto de Investigação Científica Tropical, Lisboa, Institute for Medieval Studies, Faculty of Social Sciences and Humanities, New University of Lisbon; Research Unit VICARTE: Vidro e Cerâmica para as Artes, Institute of Applied Physics "Nello Carrara", National Research Council, Florence, Italy)

The conservation and digitization of Jain manuscripts at the Victoria and Albert Museum
Michael Wheeler, Nicholas Barnard, Karine Bovagnet, Richard Mullholland (Victoria and Albert Museum, London, UK; Albertina Museum, Vienna, Austria; Michael Wheeler is freelance conservator, London, UK)

The microflora inhabiting Leonardo da Vinci’s self-portrait: A fungal role in foxing spots
Guadalupe Piñar, Katja Sterflinger, Flavia Pinzari (Department of Biotechnology, Vienna Institute of Bio Technology (VIBT), University of Natural Resources and Life Sciences, Vienna, Austria; ICRCPAL-Istituto Centrale per il Restauro e la Conservazione del Patrimonio Archivistico e Librario, Laboratorio di Biologia, Ministero per i Beni e le Attivita Culturali, Rome, Italy)

Microorganisms in paper: first results of the EU Project Men and Books
Patricia Engel, Katja Sterflinger (European Research Centre for Book and Paper Conservation-Restoration,  Horn, Austria; University of Natural Resources and Applied Life Sciences, Vienna, Department of Biotechnology, Vienna, Austria)

Deconstructing the reconstruction. The treatments of two WW II broadsides and explorations into their image re-integration
Ewa Paul, Anna Grzechnik (Warsaw Rising Museum, Poland)

Conservator’s investigation of the chinoiserie in the Wilanów Palace
Marzenna Ciechanska, Dorota Dzik Kruszelnicka, Elżbieta Jeżewska, Joanna Kurkowska (Academy of Fine Arts in Warsaw, Poland)

Chinese handscrolls: A systematic approach to treatment solutions for common problems
Xiangmei Gu, Grace Jan (Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Department of Conservation and Scientific Research, Washington DC, USA)

Applications of image processing software to archival material
Christina Duffy (The British Library, London, UK)

Analysing deterioration artifacts in archival material using multispectral images
Christina Duffy (The British Library, London, UK)

Strategy when faced with a ruined papyrus
Eve Menei & Laurence Caylux (Independent conservators France)

Fiber Optic Reflectance Spectroscopy (FORS): A useful technique for the analysis of an early
20^th century livre d’artiste
Ana Margarida Silva, Marcello Picollo, Márcia Vilarigues, Maria João Melo (Department of Conservation and Restoration and REQUIMTE-CQFB, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Istituto di Fisica Applicata “Nello Carrara” (IFAC-CNR FIorence, Italy; VICARTE, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Caparica, Portugal)

Imaging characteristics of graphic materials with the Minidome Scanner (RICH)
Lieve Watteeuw, Bruno Vandermeulen, Jan Van der Stock, Fred Truyen, Marc Proesman, Luc Van Gool, Wim Moreau (KU Leuven, Faculty of Arts, Illuminare, Research Centre for Medieval Art; Digital Humanities, ESAT, Department of Electrical Engineering, Leuven, Belgium)

The paper conservator’s role:  The Metropolitan Museum’s renovated galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and later South Asia
Yana van Dyke (The Metropolitan Museum of Art, New York, USA)

Characterising the origin of carbon black inks by ATR FTIR Spectroscopy
Paul Garside, Rajabi Razak (British Library, London; Kulliyyah of Architecture and Environmental Design, International Islamic University, Malaysia)

A technical study and conservation project of Roy Lichtenstein’s screenprint on plastic Sandwich and Soda, 1964
Marion Verborg (Straus Center for Conservation and Technical Studies, Harvard Art Museums, Boston, USA)

Digitally printed paper infills for compensation as applied to Japanese decorative fold-dyed papers
Hsin-Chen Tsai (Museum of Fine Arts, Boston, USA)