Poster Presentations

Ethical considerations concerning the conservation and restoration of a herbarium from the 19th century
Magdalena Grenda (Warsaw Rising Museum, Warsaw, Poland)

Conservation of a Book of Hours in the Royal Palace of Mafra: Between Technique and Ethics
Rita Araújoa (Chemistry Department, Faculty of Sciences and Technology, New University of Lisbon, Portugal)

The Conservation and digitization of Jain manuscripts at the Victoria and Albert Museum
Mike Wheeler (Victoria and Albert Museum, London, UK)

Moving collections and consulting digital copies: to a mutually reinforcing of conservation, management and accessibility?
Serafien Hulpiau (University Library, Ghent, Belgium)

The microflora inhabiting Leonardo da Vinci’s self portrait: a fungal role in foxing spots
Guadalupe Piñar (Department of Biotechnology, Vienna Institute of Bio Technology (VIBT), University of Natural Resources and Life Sciences, Vienna, Austria)

Microorganisms in Paper – first results of the EU Project Men and Books
Patricia Engel (European Research Centre for Book and Paper Conservation-Restoration, Horn, Austria)

Deconstructing the Reconstruction. The Treatments of Two WW II Broadsides and Explorations into Their Image Re-integration
Ewa Paul (Warsaw Rising Museum, Warsaw, Poland)

Conservator’s investigation of the Chinoiserie in the Wilanów Palace
Marzenna Ciechanska (Academy of Fine Arts, Warsaw, Poland)

Chinese Handscrolls: A Systematic Approach to Treatment Solutions for Common Problems
Xiangmei Gu (Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC, USA)

Applications of Image Processing Software to Archival Material
Christina Duffy (The British Library, London, UK)

Strategy when Faced with a Ruined Papyrus
Eve Menei, Laurence Caylux (Paris, France)

Fibre Optic Reflectance Spectroscopy (FORS): A Useful Technique for the Analysis of an Early 20^th Century Livre d’artiste
Ana Margarida Silva (Department of Conservation and Restoration and REQUIMTE-CQFB, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Lisbon, Portugal)

Analysing Deterioration Artifacts in Archival Material Using Multispectral Images
Christina Duffy (British Library, London, UK)

Imaging Characteristics of Graphic Materials with the Minidome Scanner (RICH)
Lieve Watteeuw (Faculty of Arts, KU Leuven, Illuminare, Research Centre for Medieval Art, Leuven, Belgium)

Characterising the Origin of Carbon Black Inks by ATR FTIR Spectroscopy
Paul Garside, R. Razak (British Library, London, UK)

A Technical Study and Conservation Project of Roy Lichtenstein’s Screenprint on Plastic Sandwich and Soda, 1964
Marion Verborg (Straus Center for Conservation and Technical Studies, Harvard Art Museums, Cambridge, USA)

Digitally Printed Paper In-fills for Compensation as Applied to Japanese Decorative Fold-dyed Papers
Hsin-Chen Tsai (Asian Conservation, Museum of Fine Arts, Boston, USA)

Study of phytate chelating treatments used on iron gall ink damaged manuscripts
Véronique Rouchon (Centre de Recherche sur la Conservation des Collections, Paris, France)